It seems like a lot of drawing has happened in this stage, but really it's just a continuation of the process as you work your way around the petals, constantly referring to your reference source to check where lights and darks need to be. You could continue layering, working heavily into the drawing to create a burnished surface. Burnishing means that you've layered until there can be no more pencil added. This creates a rich, jewel-like surface. This soft paper doesn't lend itself well to burnishing, so I've stopped just short.
Once the bloom is complete, you're ready to add the stem and leaves. Here I've lightly drawn a foundation layer using PC946 Dark Brown, and PC909 Dark Green.
